Skip to content
North State Arts JournalSeason by season in the North State arts
Concert Music · Page of record

What a Concert Ticket Costs, from the Student Rate to the Premium Seat

By the North State Arts Journal editorial team Concert music desk · Published September 16, 2026 Corrections: contact@schoolofthearts-csuchico.com

How concert prices are published in the North State, which rates the season pages print for students and seniors, and what to ask when a band is left off the listing.

Where it plays
Laxson Auditorium and the Harlen Adams Theatre in Chico, and the Cascade Theatre in Redding.
What it costs
This page prints no price at all. Each organisation publishes its own band on its own season page.
What the page does not say
No band is carried over from another season here: a figure is read only from the page that publishes it.
A wooden counter in daylight with a green desk lamp on a jointed arm, a pen on a chain, a small stack of blank envelopes and closed wooden shutters behind, and no printed paper in view.
A lamp, a pen on a chain and blank envelopes at a counter. Illustration created with AI, not a photograph of the hall.
Laxson Auditorium, ChicoSeptember 16, 2026

A season page tells you what a ticket costs at three or four different depths: the student rate, the single seat, the group of seats bought together. Read the season page before the brochure, and the price you pay is the price the page states. Chico Performances publishes its own season pass terms on its site, and that page is where the arithmetic starts.

The rooms do the rest. Laxson Auditorium carries the concert calendar in Chico, the Cascade Theatre carries the large touring shows in Redding, and each hall decides how its seats are sold. What follows is how the published prices are structured across the region, and what to check on the season page before you click buy.

What the season pass page actually publishes

The season pass page at Chico Performances leads with a promise written in plain numbers: more shows, better value, and the more shows you purchase, the bigger your discount. It then lays the tiers out in a table, and the table is the useful part. Three levels exist, each named, each tied to a number of shows and a promo code.

Standing Ovation is the top level: pick 5 shows, take 20 percent off, with the promo code GP20OFF5. Encore sits in the middle: pick 4 shows, take 15 percent off, code SP15OFF4. Applause is the entry level: pick 3 shows, take 10 percent off, code BP10OFF3. The instruction below the table is short. Choose 3 or more shows, add them to your cart, and enter the promo code for your pass level at checkout.

Why the discount is built on three shows and not one

The threshold matters more than the percentage. A single ticket carries no discount at all under this structure, because the page starts its ladder at three. Buy two shows and you are outside every tier. Buy three and the smallest discount opens; buy five and the largest one does. The step from three to four shows is worth 5 percentage points, and the step from four to five is worth another 5. That is a gentle slope, not a cliff, and it means the pass rewards a reader who already intends to attend more than one evening.

Where the shows sit in the season also shapes the value. A concert calendar in this valley follows the academic year, so the autumn and spring months are crowded and the summer months are thin. A reader buying five shows in October is choosing from a fuller list than a reader buying five in July. The concert music season in the North State page tracks how those dates are spread across the year, which is the practical place to see whether five shows are available in the window you can attend. The symphony season page is where the two-night pattern behind those bands is set out, since a programme that plays Chico and then Redding is priced in each house on its own terms.

Where the student rate sits in all this

The season pass page does not publish student pricing, senior pricing or single ticket prices. It publishes the discount tiers and the promo codes, and those are the only figures a reader can rely on from that page. Anyone looking for the student rate, or for the price of one seat in one hall, has to go to the individual event listing or to the venue that sells the seat. That is not a gap in the offer. It is a division of labour: the pass page handles the bundle, the event page handles the single seat.

In practice this means a student weighing a season buys the bundle only if three or more shows are already on the list. Otherwise the single ticket is the route, and the price is set by the event, not by the pass. Chico Performances publishes its events on its own events page, and that page lists dates and titles. The pass page handles the arithmetic that follows.

How a hall changes the price you see

Two rooms carry most of what happens between the two cities, and they are not the same kind of room. Laxson Auditorium on the Chico State campus is the hall that anchors the concert calendar, and it is built for listening: a stage deep enough for a full ensemble, seating that lets an audience sit back rather than lean forward. The Cascade Theatre in downtown Redding is a restored movie palace on Market Street, and its own account of itself sits on its about page. It holds the touring music, the touring theatre and the larger presentations that a smaller hall cannot take.

That difference reaches the ticket price in a simple way. A room that can hold a full orchestra and a national touring act can also charge for the seats nearest the stage, and the tiers inside one hall usually reflect distance and sightline rather than the name of the show. A room that seats fewer people spreads its prices across a narrower band. Neither of those rules is printed on the season page. They are visible in the seating plan of each event, and a reader who wants to know why a front row costs what it costs is reading the wrong page for that answer.

What the pass structure does is cut across all of it. The 20 percent at the Standing Ovation level applies to the shows you pick, whatever each one costs on its own. So a reader who selects five evenings can take the largest discount in the table and still choose a mix of halls and dates.

What should you check before you enter the code?

Three things, in order. First, count the shows. The threshold is three, and the code for your level depends on that count: three shows takes BP10OFF3, four takes SP15OFF4, five takes GP20OFF5. Second, check that every chosen show is a Chico Performances event rather than a rental or a co-presentation that sits outside the season, because the promo code is tied to the season and not to the building. Third, read the price of each show before you commit, so the discount lands on a total you already understand.

The fourth check is the calendar. A pass bought for five shows is only as good as the five dates you can actually attend, and the upper Sacramento Valley runs its arts year on a rhythm that pauses: university halls empty in the summer, and a season that looks full in September may thin by June. The lay of the North State arts season sets out how those months are distributed, which is the honest way to test whether three, four or five evenings fit your year.

Is the bigger discount always the better buy?

Only if the fifth show is one you wanted. A 20 percent discount on five shows is worth more in cash than 15 percent on four, but the fifth ticket is still money spent on an evening you have to attend. The tiers reward commitment, and commitment is only cheap when the calendar already holds the dates. A reader who can name four evenings and no fifth is better served by Encore than by reaching for Standing Ovation.

The same logic applies at the bottom. Applause at 10 percent asks for three shows, which is the lowest commitment the page permits, and it is the level that fits a reader testing the season for the first time. There is no penalty for starting there and stepping up in a later year.

Where the pass sits against the rest of the season

The pass is one instrument among several that a North State reader uses to plan a year. Auditions are announced by the organisations themselves, and the page on how auditions for a production are announced explains that separate channel. Free concerts, gallery openings and talks run on their own schedule, and those cost nothing at the door. A reader assembling a full season usually mixes all three: paid concerts on the pass, free events around them, and an audition or a rehearsal night if they perform.

The pass therefore answers a narrow question well. It tells you what a bundle of three, four or five Chico Performances shows costs, and it hands you the code that makes the total smaller. It does not tell you the price of a single seat, the student rate, or the cost of a night at a different venue. Those are set by the event and by the hall, and each publishes its own figure.

Read the season page for the tier that matches the evenings you can actually keep, then read each event page for the price of the seat itself. Start with the published season pass terms and count your dates before you count your savings.

Chico Performances is a presenting organisation whose season page at chicoperformances.com publishes the terms of its season pass. The page carries three discount tiers, Standing Ovation, Encore and Applause, tied to purchases of five, four and three shows and to the promo codes GP20OFF5, SP15OFF4 and BP10OFF3. It also gives the checkout instruction: add three or more shows to the cart and enter the code for the matching level.

The North State Arts Journal editorial team Edition of September 16, 2026 · page first published September 16, 2026 Corrections and questions: contact@schoolofthearts-csuchico.com · About the journal · Contact

Back to Concert Music